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This programme contains violence and very strong language.

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PYM: All I ask, is for you to wake it.

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Just long enough for me to take just what I need.

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This is about a child. I shit you, Pym.

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I shit you out. Before things get too convivial...

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Show me the book. Your face in the picture. Stick out your tongue.

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Close your left eye.

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I'm taking Joy home. But I'm not giving you the book.

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You don't have the right to do this just because it frightens you.

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It should frighten you, too.

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Yes! Yes!Yes!

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(IN ITALIAN)

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If you just wanna farm clicks and call it journalism,

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go ahead, do it.

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After all this time in hiding, Iris, why come forward now?

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I need to leave behind a record of what happened and why.

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Fancy some breakfast? Yeah.

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Charlie mustn't wake. (GASPS)

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Can't believe we did it.

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Keep thinking it's a trick. Keep thinking I'm gonna look down,

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be in my underpants and then I'll wake up

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and it'll be last Wednesday, and everything will all still be shit.

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OK, let's get this bit over with.

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(CAMERA SHUTTER CLICKS)

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(PHONE VIBRATES)

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(EXHALES)

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(SNIFFLES)

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(PHONE DIALLING)

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This is it? This is the password?

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Technically, I think it's actually an Activation Sequence.

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Once it's decoded.

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It's extraordinary, isn't it, really?

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All this for one line of characters in the diary

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of a seething great bedlamite.

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Except he's a bit more than that, isn't he? Or none of us would be here.

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You know, you're absolutely right.

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And I should say, Cameron, this was very nicely played.

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Well, it was all down to Joy, really.

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I can't tell you what this means. To me. My chairperson.

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The entire executive, really.

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It means "apologise to Joy for being a bell end" is what it means.

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(HELICOPTER WHIRS)

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Cameron, when do you arrive?

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Well, I think Joy's hungry. We might stop off for breakfast.

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Lovely. OK, well let me know when you're close. Alright?

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And, Cameron...

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thank you again.

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Done!

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(LIGHT DRAMATIC MUSIC)

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I suppose what happened is, a few days ago,

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I was basically kidnapped.

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This bloke called Cameron, he took us to this massive base.

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There was a policeman...

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he was quite badly beaten.

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I don't know his name.

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ALFIE: (ON DEVICE) Badly beaten by who?

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I think they were technically detectives.

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(WHISPERS) Judas.

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(GUN CLICKING)

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Where is she?

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She's over there.

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(TENSE MUSIC)

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Iris?

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Did you know the oldest cave paintings in the world are of a pig?

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Uh... No.

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35,000 years later and we are still drawing pigs on walls.

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It's like we've got this species-level compulsion

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to store data.

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Right. Are you OK?

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Like, I mean, 'Marco and Roberta forever.'

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Except they knew it wasn't forever,

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right, otherwise, why bother writing it down?

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What they're actually saying was: Marco and Roberta for not so long.

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Marco and Roberta for one summer.

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Or until Marco crashes his car into a tree

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or Roberta breaks his heart and leaves.

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Which means: "Marco and Roberta were actually here.

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They existed in this moment in time.

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Because if they don't preserve it, it would be carried downstream

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into infinity until it's gone forever.

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That's the bleakest thing I ever heard.

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And I've got the early Cure albums.

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They made a record of an event

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that nobody would've known about otherwise.

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That's not bleak.

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That's journalism.

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You see?

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That is actually...

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Yeah. Yeah, I can see that. That makes sense, actually.

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Good. Because it is time to make your mark.

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Two seconds To midnight.

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Get the truth out there.

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About Cameron. About Jensen.

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Charlie Big Potatoes. About the people who died for it.

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And who killed for it.

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Including you? Including me. The whole truth.

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Scorched Earth. Upload it to your channel.

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Get famous. Write a book. And let someone else stop Cameron.

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Police. Intelligence services. Whoever.

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What about you?

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I don't matter. I'm not having that.

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Of course you do. Listen.

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What these people are doing is next-level dangerous...

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OK, and they need to be stopped. And I'm not gonna be the one who does it. Not anymore.

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So it's down to you now.

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I failed, but you imagine.

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Alfie was here.

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(TENSE MUSIC)

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Fuck it, then. Yeah.Yeah.

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Yeah.Yeah. Let's do it.

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(MUSIC INTENSIFIES)

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(DOOR BUZZES)

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(INDISTINCT CHATTER)

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(SUSPENSEFUL MUSIC)

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So how long's this gonna take?

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This is the bacterium the password's coded against.

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Five million base pairs in the sequence.

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We don't know the starting point, so we need to brute force it.

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Best estimate? Minutes.

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Outstanding.

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Except... it's a two-level code.

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Meaning?We need to decipher the top-level first.

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Work out what all the circles and squiggles signify.

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And how long will that take?

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Hours. Days. Weeks? Who knows?

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Fine.

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I think I'll take Professor Lind for some fresh air.

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Maybe that will help.

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(MUTTERS) For fuck's sake.

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(DOOR WHIRS OPEN)

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(TENSE MUSIC)

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(DOOR OPENS)

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(GRUNTS)

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Hello, you fucking abomination.

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(PANTING)

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(SCOFFS)

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What?

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Just thought you'd be a vegetarian.

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Why?

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Cos you look like a vegetarian.

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Why?

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Cos you're wearing vegetarian trousers.

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That's so stupid.

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(PHONE VIBRATES)

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Is it her?

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(PHONE VIBRATES)

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Are you gonna answer it?

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I don't know.

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You're right. I should. Hello, Iris.

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Just a second.

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You should eat.

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I feel a bit sick now, actually. You chose a side.

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It's not a coin you can unflip.

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Sorry about that. Can you hear me OK?

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Well, you sound like a prick. So I can hear you fine.

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How are you? You don't sound like yourself.

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Oh, no, this is definitely me.

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There's no getting away from that, actually. How's Joy?

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Oh, she's really good, she's having breakfast in an Autogrill.

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Oh, that sounds nice and normal.

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I actually miss a bit of normal.

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Me too. You can't beat a bit of normal.

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For what it's worth, I do wish things had worked out differently.

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Well, it's a big universe. Somewhere it did.

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Yeah, look at us (!)

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All those realities and we get ourselves stuck in this one.

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Listen. The reason I'm calling.

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Concession speech?

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There's more that unites us than divides us.

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It's a far, far better whatever than thingy?

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You wish. Oh, dear, thought not.

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I'm giving you an opportunity.

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How exciting. To what?

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Take an axe to the device.

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Kill it. Don't let it wake.

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Or you'll what? Hold your breath until you're sick?

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I will destroy you.

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Oh, for God's sake. Listen to Shiva the Destroyer.

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You know what happens if you keep this up.

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Bring it on. And the people that helped you?

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Nico Casterman? Alfie Bird?

191
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Yes, I know their names. What about them?

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Fuck them. But you know the Money runs on fear.

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Which means punishing betrayal.

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They'll go scorched Earth.

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They won't just kill YouTube tosser and the other one.

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They'll murder their families. And their friends. And their children.

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They'll set fire to their fucking dogs

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and impale their cats on bamboo spikes.

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Let them burn. And you too.

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Fuck you all.

201
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So that's how it is?

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(GRUNTS)

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How is she?

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Oh, she's a funny old sausage, is Iris.

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She doesn't feel things the way the rest of us do.

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She can make you believe she does, but she doesn't really.

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So you mustn't feel bad about upsetting her.

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I think she's basically un-upsettable.

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She thought that it was funny, in a weird way.

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She was laughing about it. She says "hi", by the way.

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Yeah.

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I don't know!

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(EXHALES SHARPLY)

214
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(BIRDS TWEETING)

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(VIDEO WHIRS)

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What happened over the last few days is I was basically kidnapped.

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This bloke called Cameron, he took us to this massive base.

218
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There was a policeman, he was quite badly beaten.

219
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I think they were technically detectives...

220
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but... well, most of the blood was theirs, so...

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What?!

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(IN ITALIAN)

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224
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Wake up, Nico.

225
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I heard what she said to him.

226
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"Fuck them!

227
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Let them burn!"

228
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She was lying! It's... It's her thing!

229
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It's... It's how she does stuff!

230
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It doesn't matter if she was lying or not.

231
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Because Cameron Beck wasn't.

232
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So that's it?

233
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Yeah, we... we just sod off home, have a Pot Noodle?

234
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Forget any of it ever happened? Charlie Big Potatoes.

235
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Murdered scientists! Corrupt police! Cameron bloody Beck?

236
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Nobody's forgetting anything.

237
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Because Teo is dead...

238
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..and I'm going to make sure the right people are punished for it.

239
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But we need to do it the right way. Being what?

240
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We contact Interpol.

241
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We need to provide evidence that's on your laptop.

242
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Footage of Joy Baxter making her statement about Teo.

243
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Her abduction by Cameron Beck.

244
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That kind of evidence buys us government protection.

245
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Interpol will bury it, we have got a duty.

246
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People need to know!

247
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They will. In time.

248
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When due process has run its course. And who gets to tell them?

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I see.

250
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It's all about the clicks. Oh, fuck the clicks!

251
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This is real!

252
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And it... And it matters!

253
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They'll kill you for it, Alfie.

254
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Does it matter that much?

255
00:17:51,480 --> 00:17:56,560
We need to get that laptop to Interpol. Now!

256
00:18:41,160 --> 00:18:46,200
So we will have the device operational in a day or two at most.

257
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So all that silence and sacrifice brought you nothing

258
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but a lot of torment and... a little time.

259
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Of course, you can save me a few precious hours.

260
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Give me the activation code, Professor Lind.

261
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The little girl is running out of time.

262
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Wake the device, Jensen.

263
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Help me do what has to be done.

264
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(SNIFFLES)

265
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You think it will serve you.

266
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At first, it will appear to.

267
00:19:33,520 --> 00:19:36,720
It'll seduce you by giving you what you long for...

268
00:19:37,920 --> 00:19:40,280
..until the day comes when you realise...

269
00:19:41,880 --> 00:19:44,880
..you are serving it.

270
00:19:47,840 --> 00:19:49,840
I'm trying...

271
00:19:51,880 --> 00:19:53,880
..to protect us.

272
00:20:00,160 --> 00:20:02,520
(BREATHS DEEPLY)

273
00:20:02,560 --> 00:20:04,560
(TENSE MUSIC)

274
00:20:08,640 --> 00:20:10,120
No.

275
00:20:12,520 --> 00:20:14,520
No. No. No.

276
00:20:14,560 --> 00:20:16,280
No. No!

277
00:22:04,960 --> 00:22:07,560
Clear. Three, two, one.

278
00:22:10,720 --> 00:22:13,360
We're going for another cycle. Three, two, one.

279
00:22:13,400 --> 00:22:15,520
(COUGHING)

280
00:22:15,560 --> 00:22:17,560
(WHEEZING)

281
00:22:24,880 --> 00:22:28,120
So now you know how it feels to die.

282
00:22:32,720 --> 00:22:34,400
What did you see?

283
00:22:35,960 --> 00:22:37,960
Nothing.

284
00:22:38,000 --> 00:22:41,440
Really? No communion with the dead?

285
00:22:41,480 --> 00:22:45,520
No wife and child beckoning you into the beyond?

286
00:22:46,800 --> 00:22:48,360
Good.

287
00:22:48,400 --> 00:22:50,400
Because I'm not just gonna kill you once, Jensen.

288
00:22:50,440 --> 00:22:53,320
I'm gonna kill you over and over again.

289
00:22:53,360 --> 00:22:55,360
I'm gonna kill you every day.

290
00:22:56,280 --> 00:23:00,360
I'm just gonna keep killing you and killing you and killing you

291
00:23:00,400 --> 00:23:06,080
until you kiss my feet and beg me to let you stay dead.

292
00:23:08,960 --> 00:23:11,160
(DRAMATIC MUSIC)

293
00:23:39,720 --> 00:23:42,840
MAN: (ON RADIO) Alpha Six, you are clear to land on Blue Alpha.

294
00:24:12,120 --> 00:24:13,440
JOY: What's going on?

295
00:24:13,480 --> 00:24:15,160
I don't know.

296
00:24:15,200 --> 00:24:17,920
I mean, is everything alright?

297
00:24:18,960 --> 00:24:21,960
I think probably no. Because it doesn't look alright.

298
00:24:22,000 --> 00:24:24,000
(TENSE MUSIC)

299
00:24:36,960 --> 00:24:38,440
Oh, don't be silly.

300
00:24:42,960 --> 00:24:44,960
What's all this bollocks?

301
00:24:45,000 --> 00:24:47,080
Oh, the device is our property, Cameron,

302
00:24:47,120 --> 00:24:50,000
so my first priority should be its safety, no?

303
00:24:50,040 --> 00:24:52,920
Yeah. No-one's going anywhere until we've ensured that everything is

304
00:24:52,960 --> 00:24:54,960
as it should be. May I?

305
00:25:05,880 --> 00:25:08,360
Mm-hmm.

306
00:25:15,160 --> 00:25:17,600
Do you have any idea of the trouble you've caused us?

307
00:25:17,640 --> 00:25:20,000
You strutting shit cunt?

308
00:25:22,560 --> 00:25:24,880
Actually, do you know what?

309
00:25:29,080 --> 00:25:31,360
Leave him! Joy! Stay back.

310
00:25:32,360 --> 00:25:34,120
Let him go!

311
00:25:41,640 --> 00:25:43,640
Get off him.

312
00:25:43,680 --> 00:25:46,120
Joy!

313
00:25:53,400 --> 00:25:55,160
Excuse me!

314
00:25:57,880 --> 00:26:00,280
Just. Fucking. Don't!

315
00:26:00,320 --> 00:26:03,760
Just. Fucking. Don't!

316
00:26:15,200 --> 00:26:17,200
Let's go inside, then, shall we?

317
00:26:18,360 --> 00:26:20,200
Lock them in the maniac's suite.

318
00:26:22,680 --> 00:26:24,680
Are you OK? Uh-uh.

319
00:26:29,080 --> 00:26:31,080
(ENGINE REVS)

320
00:26:35,320 --> 00:26:37,400
(IN ITALIAN)

321
00:26:44,360 --> 00:26:46,360
(MUFFLED MUSIC)

322
00:26:47,760 --> 00:26:50,360
How much longer? It's not far.

323
00:26:54,560 --> 00:26:56,560
(ENGINES REVVING)

324
00:26:57,520 --> 00:27:00,360
Shit What? What?

325
00:27:00,400 --> 00:27:02,080
Can you hear that?

326
00:27:02,120 --> 00:27:05,080
Fuck, Alfie take this.

327
00:27:05,120 --> 00:27:07,120
Up, up, up, up, up!

328
00:27:08,720 --> 00:27:11,040
We need to call a truce. Bruni has found us.

329
00:27:12,680 --> 00:27:14,680
Yeah. Truce. OK. Good idea. Come on.

330
00:27:14,720 --> 00:27:16,640
Stay still.

331
00:27:18,320 --> 00:27:21,200
Hey. Hey. Stop it, please!

332
00:27:25,280 --> 00:27:27,360
Hey! Come on, stop!

333
00:27:31,400 --> 00:27:33,520
(IN ITALIAN)

334
00:27:33,560 --> 00:27:36,080
Laptop. Come on!

335
00:27:39,680 --> 00:27:41,680
What is happening?

336
00:27:47,360 --> 00:27:48,720
(IN ITALIAN)

337
00:27:48,760 --> 00:27:50,760
How'd they find us?

338
00:27:50,800 --> 00:27:52,360
Alfie, run!

339
00:27:52,400 --> 00:27:54,320
(ENGINES REVS)

340
00:28:02,400 --> 00:28:04,560
What do you thinks happened to him?

341
00:28:04,600 --> 00:28:06,600
Jensen?

342
00:28:07,440 --> 00:28:09,440
I don't know.

343
00:28:10,560 --> 00:28:12,600
He's probably alright, more or less.

344
00:28:16,240 --> 00:28:18,440
What about me and you?

345
00:28:19,680 --> 00:28:21,840
Oh, we'll be fine.

346
00:28:21,880 --> 00:28:23,880
Don't be scared.

347
00:28:28,320 --> 00:28:30,400
One day soon...

348
00:28:30,440 --> 00:28:33,600
you'll look around and you'll find yourself living your old life.

349
00:28:33,640 --> 00:28:36,640
And all this will be something you don't talk about,

350
00:28:36,680 --> 00:28:38,640
you don't really even think about.

351
00:28:38,680 --> 00:28:41,080
And because you don't talk about it, or think about it,

352
00:28:41,120 --> 00:28:42,760
it'll become less and less real.

353
00:28:42,800 --> 00:28:45,360
Till the time comes, when you're my age...

354
00:28:48,840 --> 00:28:50,920
..then it's just something half-remembered

355
00:28:50,960 --> 00:28:52,920
that bubbles up in bad dreams.

356
00:28:56,280 --> 00:28:58,600
I can't imagine being your age.

357
00:28:58,640 --> 00:29:00,640
Nor can I.

358
00:29:04,280 --> 00:29:06,160
Does it hurt? Oh, God, yes.

359
00:29:06,200 --> 00:29:08,880
I haven't been in a fight since I was nine.

360
00:29:12,680 --> 00:29:14,840
This is all her fault.

361
00:29:14,880 --> 00:29:16,800
Iris.

362
00:29:17,880 --> 00:29:19,880
Well, up to a point.

363
00:29:22,040 --> 00:29:25,480
To be fair, I think she was only doing what she thought was best.

364
00:29:26,400 --> 00:29:28,160
In her funny little way.

365
00:29:29,000 --> 00:29:33,720
I don't understand, why she's so scared of it.

366
00:29:33,760 --> 00:29:35,360
Charlie.

367
00:29:36,440 --> 00:29:39,080
She's scared the universe might be more beautiful

368
00:29:39,120 --> 00:29:40,560
than she can tolerate.

369
00:29:41,680 --> 00:29:43,560
Who'd be scared of that?

370
00:29:45,320 --> 00:29:47,320
Everyone, I think.

371
00:29:50,880 --> 00:29:52,880
(DRAMATIC MUSIC)

372
00:29:52,920 --> 00:29:54,920
(CRICKETS CHIRPING)

373
00:30:00,840 --> 00:30:02,840
(ENGINES REVVING)

374
00:30:50,280 --> 00:30:52,840
Stop, I'll shoot!

375
00:30:58,600 --> 00:31:00,840
Guys. Guys. We've gotta stick together.

376
00:31:01,960 --> 00:31:03,960
Nico, please.

377
00:31:08,640 --> 00:31:10,640
(IN ITALIAN)

378
00:31:41,520 --> 00:31:44,280
OK, come on

379
00:31:57,520 --> 00:31:59,520
Stay close. Ready.

380
00:32:25,760 --> 00:32:28,200
Get down!

381
00:32:35,040 --> 00:32:37,280
Go! Hide.

382
00:32:58,440 --> 00:33:00,080
(IN ITALIAN)

383
00:33:48,160 --> 00:33:50,160
(DOOR CLOSES)

384
00:33:53,280 --> 00:33:55,520
Two bars. We should call the police.

385
00:33:55,560 --> 00:33:57,800
They are the police.

386
00:33:57,840 --> 00:33:59,680
So what do we do?

387
00:33:59,720 --> 00:34:01,720
Iris, there must be something.

388
00:34:07,400 --> 00:34:09,360
Oh, shit. (GUN COCKS)

389
00:34:14,320 --> 00:34:16,880
(PANTING)

390
00:34:51,440 --> 00:34:54,080
Did you mean those things? What things?

391
00:34:54,120 --> 00:34:56,840
The things Nico heard you saying in the aqua park.

392
00:34:58,200 --> 00:35:01,520
I don't know. Probably. I mean, what does "mean" even mean?

393
00:35:01,560 --> 00:35:03,520
I don't think you meant it. Not really.

394
00:35:03,560 --> 00:35:05,600
I think you were angry. Yeah.

395
00:35:05,640 --> 00:35:07,520
Yeah. We've all said things when we were angry.

396
00:35:10,360 --> 00:35:14,320
I'm so sorry, Alfie. I should never have dragged you into this.

397
00:35:14,360 --> 00:35:16,960
I should have just done it alone. You couldn't have done it alone.

398
00:35:17,000 --> 00:35:18,960
Well, it turns out, I couldn't do it at all.

399
00:35:19,000 --> 00:35:21,080
So that's it? They get away with it.

400
00:35:21,120 --> 00:35:23,080
Cover it up, bury us in a ditch?

401
00:35:23,120 --> 00:35:26,160
I don't think they're gonna bother with a ditch.

402
00:35:29,480 --> 00:35:31,240
(IN ITALIAN)

403
00:35:36,360 --> 00:35:38,360
(TENSE MUSIC)

404
00:35:44,880 --> 00:35:47,920
At least I was right about you, though.

405
00:35:47,960 --> 00:35:50,240
You were 100% real.

406
00:35:50,280 --> 00:35:52,560
Still am. For a few minutes, anyway.

407
00:35:52,600 --> 00:35:54,840
Iris was here!

408
00:35:59,520 --> 00:36:01,520
(BREATHES DEEPLY)

409
00:36:02,360 --> 00:36:04,760
Shit! Shit!

410
00:36:06,320 --> 00:36:09,080
Two bars! And you actually are here!

411
00:36:09,120 --> 00:36:11,000
Two bars and I'm here what?

412
00:36:11,040 --> 00:36:13,760
Two bars and you're here live

413
00:36:15,120 --> 00:36:16,960
with 80,000 followers!

414
00:36:17,000 --> 00:36:19,480
We can live stream. Shit.

415
00:36:22,280 --> 00:36:24,640
Let's do it.

416
00:36:24,680 --> 00:36:26,680
OK.

417
00:36:34,520 --> 00:36:37,440
This is Two Seconds To Midnight. And I'm Alfie Bird.

418
00:36:38,280 --> 00:36:40,280
I'm here with Iris Nixon.

419
00:36:40,320 --> 00:36:42,320
And we need your help.

420
00:36:42,360 --> 00:36:44,600
Shit. I've got shit signal. Fuck, come on.

421
00:36:45,760 --> 00:36:48,520
Yes. Right, Ir...Iris and I are...

422
00:36:49,600 --> 00:36:52,160
Well, we don't know exactly where we are, but we are being hunted

423
00:36:52,200 --> 00:36:55,400
by corrupt police officers who want to kill us to stop the truth coming out.

424
00:36:55,440 --> 00:36:57,080
They are working for a man

425
00:36:57,120 --> 00:36:58,840
called Cameron... (GUNSHOT)

426
00:37:02,160 --> 00:37:04,720
(GUNSHOTS)

427
00:37:14,440 --> 00:37:16,520
(IN ITALIAN)

428
00:37:35,800 --> 00:37:37,800
(SCREAMS)

429
00:38:10,040 --> 00:38:12,200
(SCREAMS)

430
00:39:57,400 --> 00:39:59,840
(GUNSHOTS)

431
00:40:18,240 --> 00:40:20,240
(SOMBRE MUSIC)

432
00:40:26,160 --> 00:40:28,160
(BIRDS TWEETING)

433
00:40:34,760 --> 00:40:38,000
There's enough evidence on the laptop in here...

434
00:40:38,040 --> 00:40:40,560
to buy you official protection.

435
00:40:40,600 --> 00:40:42,560
But lay low for now.

436
00:40:45,320 --> 00:40:47,240
Till when?

437
00:40:48,160 --> 00:40:50,760
Until I finish it.

438
00:40:50,800 --> 00:40:52,880
(ENGINE STARTS, REVS)

439
00:41:02,120 --> 00:41:05,000
Hello, Cameron. This is Two Seconds To Midnight.

440
00:41:05,040 --> 00:41:07,320
And I am on my way.

441
00:41:46,280 --> 00:41:48,520
(MONITOR BLEEPING)

442
00:41:48,560 --> 00:41:50,560
(CHIRPS)

443
00:41:51,680 --> 00:41:53,480
We got co-ordinates.

444
00:41:53,520 --> 00:41:55,520
(KEYBOARD CLICKING)

445
00:42:03,200 --> 00:42:05,200
(TENSE MUSIC)

446
00:42:10,360 --> 00:42:12,280
(EERIE WHIRRING)

447
00:42:23,200 --> 00:42:25,680
(DRAMATIC MUSIC)

448
00:42:50,280 --> 00:42:52,840
(CRIES)

449
00:43:02,400 --> 00:43:08,400
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